Occupy Gotham?

By Zach Foster

There have been a few articles and snippets on the Mises Blog about Batman, but most are about the Batman Chronicles issue where German Batman saves Ludwig von Mises's library — this just goes to show that I'm not the only student of Austrian economics who's a recovering comic-book nerd — though there is a short and sweet review of Batman Begins by Joe Salerno and a well-thought, in-depth analysis of The Dark Knight by Jeffrey Tucker. Let this article be the corresponding piece to The Dark Knight Rises.

One of the remarkable things about this Batman series is the way Hollywood — a bastion of tired, often-rehashed, leftist propaganda — has unwittingly allowed an obscenely wealthy capitalist who lives a decadent bourgeois lifestyle (when not fighting crime) to be the hero! It was noted somewhere that Murray Rothbard was a fan of the James Bond films partly because Bond was unrepentantly bourgeois and knew how to live it up in style. I think Rothbard — who has forgotten more about Austro-libertarianism than I could ever hope to learn in my lifetime — would have liked Christian Bale's portrayal of Bruce Wayne, neither afraid to make large investments nor afraid to be seen driving the ladies around in his European sports cars.

Another thing about Bruce Wayne/Batman is that he's a shining example of what can be accomplished by the private sector. None of Wayne's state-of-the-art technology is sponsored by government grants, though there would be little doubt Wayne Enterprises sells to the government. Nonetheless, Wayne's research is fueled by his own profits, not government grants or subsidies, and with the help of his top man, Lucius Fox, he develops the technology that enables him to be an effective one-man army and fight organized crime that borders on terrorism, while responsibly avoiding the corruption of the military-industrial complex.

Jeffrey Tucker was correct to note that the mob's extensive operations and violence (as well as law enforcement often turning a blind eye) are fueled by prohibition — that is, government intervention — much the way Prohibition fueled the gang wars and the rise of organized crime in the 1920s. The utopian idea held by leftists and neoconservatives alike…

(Read more)

Source: Mises.org

Shakespeare: The Ultimate Market Product

By Morgan A. Brown

 

Shakespeare's status as a legendary playwright is partly the outcome of four centuries of textual revision and reconstruction. Much of the work that went into perfecting Shakespeare's published texts was done in the first six decades of the 18th century. During that period, no fewer than six major editions of Shakespeare's dramatic corpus appeared on the London book market, published by Jacob Tonson and his eponymous great-nephew.

 

Each edition that the Tonsons produced was subject to fierce debate, fiery criticism, and market competition. What emerged from this process of competition and redistribution in the 1700s was a Shakespeare more ordered, digestible, and masterful than any other shade of the Bard that had existed 100 years prior.

 

Shakespeare's contemporary, Ben Jonson, praised the Bard's plays as "not of an age, but for all time" in the posthumous First Folio (1623) edition of Shakespeare's plays. But such inflated encomia were so common in Elizabethan and Stuart England that anyone familiar with commendatory verses treats such panegyrics as mere convention. In other words… (Read more)

 

Source: Mises.org